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Image: Passengers rescued
Eric Thayer  /  Reuters
Passengers await rescue after the US Airways plane piloted by Capt. Chesley Sullenberger landed in the Hudson River on Jan. 15, 2009.
TODAY books
updated 10/13/2009 10:05:05 AM ET 2009-10-13T14:05:05

When Capt. Chesley “Sully” Sullenberger landed US Airways Flight 1549 in New York’s Hudson River, saving the lives of the 155 people on board, he became one of the most famous pilots in the country. In his memoir, “Highest Duty: My Search for What Really Matters,” he reveals the lessons and events that prepared him for that emergency landing on Jan. 15, 2009. The following is an excerpt.

Chapter 1: A flight you’d never forget
The flight lasted just a few minutes, but so many of the details are rich and vivid to me.

The wind was coming from the north not the south, which was unusual for that time of year. And my wheels made a distinct rumbling sound as they rolled across the rural Texas airstrip. I remember the smell of the warm engine oil, and how it drifted into the cockpit as I prepared to take off. There was also the smell of freshly cut grass in the air.

I have a clear recollection of how my body felt — this heightened sense of alertness — as I taxied to the end of the runway, went through my checklist, and got ready to go. And I recall the moment the plane lifted into the air and, just three minutes later, how I would need to return to the runway, intensely focused on the tasks at hand.

All these memories are with me still.

A pilot can take off and land thousands of times in his life, and so much of it feels like a speeding blur. But almost always, there is a particular flight that challenges a pilot or teaches or changes him, and every sensory moment of that experience remains in his head forever.

I have had a few unforgettable flights in my life, and they continue to live in my mind, conjuring up a host of emotions and reasons for reflection. One took me to New York’s Hudson River on a cold January day in 2009. But before that, perhaps the most vivid was the one I’ve just described: my first solo flight, late on a Saturday afternoon at a grass airstrip in Sherman, Texas. It was June 3, 1967, and I was sixteen years old.

Image: "Highest Duty" cover
William Morrow/HarperCollins
I hold on to this one, and a handful of others, as I look back on all the forces that molded me as a boy, as a man, and as a pilot. Both in the air and on the ground, I was shaped by many powerful lessons and experiences — and many people. I am grateful for all of them. It’s as if these moments from my life were deposited in a bank until I needed them. As I worked to safely land Flight 1549 in the Hudson, almost subconsciously, I drew on those experiences.

For a few months when I was four years old, I wanted to be a policeman and then a fireman. By the time I was five, however, I knew exactly what I wanted to do with my life — and that was to fly.

I never wavered once this possibility came into my head. Or more precisely, came over my head, in the form of jet fighters that crisscrossed the sky above my childhood home outside Denison, Texas.

We lived by a lake on a sparse stretch of land nine miles north of Perrin Air Force Base. Because it was such a rural area, the jets flew pretty low, at about three thousand feet, and you could always hear them coming. My dad would give me his binoculars, and I loved looking into the distance, to the horizon, wondering what was out there. It fed my wanderlust. And in the case of the jets, what was out there was even more exciting because it was coming closer and closer at a very high rate of speed.

This was the 1950s, and those machines were a lot louder than today’s fighters. Still, I never came across people in my part of North Texas who minded the noise. We had won World War II not long before, and the Air Force was a source of pride. It wasn’t until decades later, when residents near air bases began talking about the noise, that pilots felt the need to answer the complaints. They’d sport bumper stickers that said jet noise: the sound of freedom.

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Every aspect of airplanes was fascinating — the different sounds they made, the way they looked, the physics that allowed them to rocket through the sky, and most of all, the men who controlled them with obvious mastery.

Slideshow: Miracle on the Hudson I built my first model airplane when I was six years old. It was a replica of Charles Lindbergh’s Spirit of St. Louis. I read a lot about “Lucky Lindy” and understood that his flight across the Atlantic wasn’t really about luck. He planned. He prepared. He endured. That’s what made him heroic to me.

By 1962, when I was eleven years old, I was already reading every book and magazine I could find that talked about flying. That was also the year I took my first plane ride. My mom, a first-grade teacher, invited me to accompany her to a statewide PTA convention in Austin, and it was her first plane ride, too.

The airport, Dallas Love Field, was seventy-five miles south of our house, and when we got there, it seemed like a magical place filled with larger-than-life people. Pilots. Stewardesses. Well-dressed passengers with somewhere to go.

In the terminal, I stopped at the newly installed statue of a Texas Ranger. The plaque read one riot, one ranger, and told the apocryphal story of a small-town disturbance in the 1890s. A local sheriff had called for a company of rangers to stop the violence, and when only one ranger showed up, the townspeople were taken aback. They’d asked for help and now wondered if they were being denied. “How many riots do you have?” the ranger allegedly asked. “If y’all got just one, all you need is one ranger. I’ll take care of it.”

I also saw another hero that day at the airport. I had been enthralled by the early Project Mercury space missions, so I was excited to spot a short, thin man walking through the terminal. He was wearing a suit, a tie, a hat, and his face was completely familiar to me. I recognized him from television as Lieutenant Colonel John “Shorty” Powers, the voice of Mission Control. I couldn’t bring myself to approach him, though. A guy who had all these astronauts to talk to didn’t need an eleven-year-old kid tugging at his jacket.

It was a cloudy day, a little rainy, and we walked out on the tarmac to climb a staircase onto our Braniff Airways flight, a Convair 440. My mom wore white gloves and a hat. I was in a sport coat and slacks. That’s how people traveled then. In their Sunday best.

Our seats were on the right side of the air craft. My mom would have loved to look out the window, but she knew me. “You take the window seat,” she said, and even before the plane had moved an inch, my face was pressed against the glass, taking everything in.

As the plane sped down the runway and began to rise, I was wide-eyed. My first thought was that everything on the ground looked like a model railroad layout. My second thought was that I wanted this life in the air.

It took a few more years for me to return to the skies. When I was sixteen, I asked my dad if I could take flying lessons. He’d been a dental surgeon in the Navy during World War II. He had great respect for aviators, and he clearly saw my passion. Through a friend, he got the name of a crop-dusting pilot named L. T. Cook Jr., who had a landing strip on his property nearby.

Before World War II, Mr. Cook had been an instructor in the federal government’s Civilian Pilot Training Program. At the time, isolationists didn’t want the United States getting involved in the war in Europe. But President Roosevelt knew the United States was likely to enter the conflict and would need thousands of qualified pilots. Starting in 1939, veteran fliers such as Mr. Cook were charged with training civilians so they’d be ready when and if war was declared. The program was controversial at the time, but as things turned out, all of those prepared pilots helped the Allies win the war. Mr. Cook and pilot trainers like him were the unsung stateside heroes.

When I met him, he was in his late fifties, and a no-nonsense, all-business kind of man. Most of his time was spent crop dusting, but if he saw someone who seemed to have the smarts and temperament to fly, he’d take him on as a student.

I guess he liked the look of me well enough. I was this tall, quiet, earnest kid, and I was respectful because my parents had taught me to be deferential to my elders. I was also the classic introvert, and he wasn’t a guy who needed much conversation. He saw I was serious about flying and that I had an obvious enthusiasm, despite my low-key demeanor. He said he’d charge me six dollars per hour for the airplane. That was the “wet rate” because it included fuel. For his time training me, he asked for another three dollars an hour. My parents paid for the airplane, so for a thirty-minute flight I owed him just $1.50 for his instructor’s fee. I paid for my share from money I earned in my job as a church janitor.

I have logbooks going back decades, covering thousands of flights. And in my first logbook, my very first entry was April 3, 1967, when Mr. Cook took me up for thirty minutes. We flew in a tandem two-seater, an Aeronca 7DC. It was a very basic propeller airplane, built in the late 1940s. It didn’t even have a radio. I had the controls in my hands from pretty much the first moment.

Video: Friend: ‘Hero of the Hudson’ a mild-mannered man I sat in front, Mr. Cook sat in back with his own set of controls, and he did what pilots call “following you through.” That meant he’d keep his hands hovering over his stick so he could instantly take command if I went astray with my stick. He shadowed my movements, shouting directions over the noise of the engine. As so many pilots did in the early years, he used a cardboard megaphone to aim the sound of his voice right in my ear. He spoke only when he needed to, and he rarely gave a compliment. Still, in the weeks that followed, I sensed that he thought I was catching on, and had the right instincts. I studied flying at home every night, too, taking a correspondence course that prepared me for the private pilot license written exam. Mr. Cook saw I was devoted.

Sometimes I’d arrive for a lesson and he wouldn’t be there. So I’d drive into town because I knew exactly where to find him: drinking coffee at the local Dairy Queen. He’d finish his coffee, toss a tip on the table, and we’d go back to his strip.

He gave me sixteen lessons over the next couple of months, each averaging thirty minutes in the air. By June 3, my total flying time added up to seven hours and twenty-five minutes. That day, he took me up for a flight, and after ten minutes of flying around, he tapped me on the shoulder.

“All right,” he said. “Bring it in for a landing and taxi over to the hangar.” I did as I was told, and when we got there, he hopped out of the plane. “OK,” he said. “Take it up and land three times by yourself.”

He didn’t wish me luck. That wasn’t his way. I’m not saying he was gruff or unfeeling. It’s just that he was very matter-of-fact about things. He had obviously decided: The kid’s ready. Let him go. He expected I wouldn’t fall out of the sky. I’d be OK.

Reprinted from “Highest Duty: My Search for What Really Matters” by Capt. Chesley “Sully” Sullenberger with Jeffrey Zaslow, with permission. Copyright 2009, from William Morrow.

© 2012 MSNBC Interactive

Video: Capt. Sullenberger on ‘Highest Duty’

  1. Closed captioning of: Capt. Sullenberger on ‘Highest Duty’

    announcer: breathe

    >>> now to the hero of the hudson , or on the hudson , captain chesley "sully" sullenberger. he was at the controls of us airways flight 1549 back in january when a bird strike blew out both engines. sully guided that plane to a miraculous descent into new york's icy hudson river , saving all 155 passengers and crew members. he writes about that incident and much more in the new book

    highest duty: my search for what really matters." sully, it's good to have you here. good morning.

    >> good morning. it's good to be here.

    >> i think a lot of people have heard the story by now of what happened to that plane, but there are some things you write about in this book that jump out at me, and i'd like to condition trait on those, if you don't mind. i've heard people ask the question, how do birds bring down a jetliner? and you wrote in the book, this wasn't just one or two birds. this was like a scene out of a hitchcock movie. can you describe that some.

    >> exactly. those are the words i use to describe it in the book. the wind screen was filled with many large birds, and we learned later canada geese , up to 17 pounds with a six-foot wingspan. at least two birds engined the right engine and one or two entered the left.

    >> and the noise of that, you're hearing thuds or thumps and then an eerie silence that followed it, as you realized those engines had shut down.

    >> those were the worst sounds and vibrations i had ever experienced in my enthir career of flying.

    >> then you write about something that will turn a few stomachs in the morning. you said "and then came the smell," and the smell was what?

    >> confirmation that birds had entered the engine. it was the smell of burned birds and the air being drawn into the cabin.

    >> you write that immediately, when the birds struck the engines, the thought that went lough yo through your mind was, this can't be happening, this doesn't happen to me. and i'm wondering what it is about you that made you feel as if you were almost immune to something like this?

    >> i wouldn't say i was immune. i would say that we have done such a good job of making this airline business so ultra safe that it's possible for a pilot to go through their entire career and never experience an actual engine failure. of course, we practice it in training, but it had never happened to me in 42 years of flying and here i was in a situation where we lost thrust in both engines simultaneously.

    >> people want to know then, what is happening in the cockpit and what are you thinking of and things like that. and one of the things that struck me was that you never, during the seconds or minutes that happened between the bird strike and the actual landing in the hudson , you never looked at your co-pilot, jeff skiles. you two never made eye contact .

    >> well, i looked in his direction and he looked in mine, because we didn't have time to verbalize everything and we relied on each other's seeing what was going on to have the same common understanding, but we never made eye contact .

    >> you also write in the book, "many people wonder how they would feel, what they would be thinking." you say "i did not think i was going to die. based on my experience, i was confident that i could make an emergency water landing that was survivable. that confidence was stronger than any fear. laurie, kate and kelly," your wife and daughters -- "did not come into my head, and i think that was for the best." explain that.

    >> we were so busy. it was the most dire emergency of my career. it was one of extreme workload, beyond extreme time compression. we had only seconds to decide and minutes to find a course of action and execute it. and so, there wasn't time for anything extraneous.

    >> so i guess if you're a passenger on that plane at that moment, the comforting news now is that -- and for passengers who fly -- that pilots don't think about what am i losing, what am i leaving behind, who's going to suffer from this. they think only about -- or the good ones think only about what do i need to do to try to survive this.

    >> i think that would be true in this case. i think there are other situations where you have more time and then those thoughts would enter your head.

    >> i've talked to some people about you, sully, and they all describe you as a pilot's pilot, the guy who crosses all the ts and dots all the is, and if something in the manual says check something twice, you check it three or four times. wll did that come from?

    >> i think part of it's my nature and part of it's just my experience, knowing what matters and that there are things that really are critical and you need to be aware of the trees as well as the forest.

    >> your nature. also, it's little bit hereditary hereditary, isn't it? your dad was also one of those guys. you write about, you know, he built the house --

    >> yes.

    >> -- that you guys grew up in, and he was a detail guy. he said, you know, cut it once and never have to worry about it. so, that had to rub off on you.

    >> yeah. measure it twice, cut once.

    >> so you learned that dealing with details from him.

    >> i think so, but i think it's also important to know that i was able to see the forest as well as the trees. i had an awareness of what was going on around us in many respects, not just the details.

    >> you write in the book -- it couldn't have been easy to write about -- about your dad's suicide. it was in the '70s. he was not well. he was ill. and i'm just curious -- clearly, that has to rub off on you and has to impact your life as a young person and as an adult. and how do you think that's affected you?

    >> well, it's a very personal story, but it was important to tell because it's part of what makes me who i am. i think in some small way, it was part of how i was able to handle the situation on january 15th .

    >> you've gone back to flying, limited flying, because you're a suit now, we should also mention. you're kind of management.

    >> well, i have an important, new job in safety, but i also have another job, which is essentially to be a goodwill ambassador for the industry, and it's an important job.

    >> well, let me ask you about the industry. we cover it a lot here on the show and the airline industry has gone through difficult times. the economy has hit it severely. and you talk about some of the pilots who are now flying in the airline industry of 2009 , and you say, "some of the smaller regional airlines have lowered the minimum requirements for pilot recruitment and they're paying some pilots $16,000 a year. they'll take someone with 200 hours of flying experience and make him or her a first officer. these new pilots may have exceptional training and they may have high degree of ability, but it takes time, hour after hour to master the art of flying a commercial jet ." so, if someone is watching this interview today and they're heading to the airport to go on a trip, how should they feel about that news?

    >> my concern is going forward, that if we as a society do not value this profession sufficiently, we may not in the future be able to attract the best and brightest. i think there will always be people willing to fill these seats and to take these jobs, but if we don't value this profession sufficiently, it may not be the same kind of people.

    >> and is there anything the flying public can do about it, other than go to the airport and talk to the ticket or gate agent and say, is my captain captain sullenberger and keep their fingers crossed? what can the public do about it?

    >> i think that it's all eventually down to the economics. i think there is a linkage between economics and safety, and historically, one of the reasons we have been able to make aviation so ultra safe is that many of the airline companies have chosen to greatly exceed the faa minimums in every area. i think now in this time of intense competition and intense economic pressure, what we're seeing is some of those minimums being approached more closely.

    >> sully, it's nice to have you in the studio. good luck. and the book is out today. check it out.

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