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Image: "Amelia"
Twentieth Century Fox
Hilary Swank plays Earhart with all the freckle-faced, pants-wearing, short-haired gumption she can muster.
By Film critic
msnbc.com contributor
updated 10/22/2009 3:01:55 PM ET 2009-10-22T19:01:55
Review

The great women of the 20th century deserve better than what they’ve been getting from 21st century female filmmakers.

Anne Fontaine’s recent “Coco Before Chanel” seemed more interested in the legendary designer’s romantic exploits than in her boldness of vision, and now Mira Nair’s “Amelia” drains the life out of trailblazing aviator Amelia Earhart in a movie that feels like an afterschool special about a great American.

Hilary Swank — trying desperately to sound like Katharine Hepburn in “Christopher Strong” but sounding like she’s just struggling with her prosthetic teeth — plays Earhart with all the freckle-faced, pants-wearing, short-haired gumption she can muster. The film uses Earhart’s 1937 attempt to circumnavigate the globe as its through-line, cutting to one flashback after another.

There’s not much discussion of what drove this pioneer to tackle the skies in an era where such pursuits were considered to be for men only; we see a 12-year-old Amelia look wide-eyed as a vintage prop plane takes flight, and then bam, there’s Swank soaring among the clouds in a WWI biplane.

The aerial footage is breathtaking, whether Earhart is flying over the African veldt, a Kansas farm or the night skies over Washington. (Less successful are the shots from inside planes and cars; you can see the line around people’s heads in poorly-composited shots filmed in front of a green screen.)

Over the course of Earhart’s life, we see her fall in love with and marry publisher George Putnam (Richard Gere) and pursue an affair with aviation expert Gene Vidal (Ewan McGregor), who’s most famous these days as the father of author Gore Vidal.

Gere and McGregor are fine actors, but Nair uses them like the expendable males (Zachary Scott, Franchot Tone, et al) who stood back and let Bette Davis and Joan Crawford do all the heavy lifting back in the day.

Gere brings his trademark naughty twinkle to the role — with a dollop of Pepperidge Farm–flavored New England accent on top — but he and Swank have all the romantic chemistry of two people forced to share a table at a luncheonette during the noon rush.

Part of what made Amelia Earhart such a fascinating figure was how atypical she was for her time, but Nair doesn’t seem very interested in establishing any sort of context for her. We see one soup line, but that’s as much as the movie cares about the Great Depression, and there are very few times that anyone ever challenges Earhart on her flouting of the wife-and-mother paradigm of the era. It’s hard work standing up against societal expectations, but the movie pretends like Earhart’s flouting of convention and gender norms were just a walk in the park.

When Gene Vidal first meets Amelia, he’s amused by the native Kansan’s use of the word “hooey” in conversation. Judging by the final product, the writers of “Amelia” must have taped that word on the wall above their laptops, because this movie drips with it.

Follow msnbc.com Movie Critic Alonso Duralde at http://www.twitter.com/MSNBCalonso.

© 2012 msnbc.com.  Reprints

Video: Hilary Swank takes on title role in ‘Amelia’

  1. Closed captioning of: Hilary Swank takes on title role in ‘Amelia’

    >>> is here.

    >>> hilary swank is a two-time academy award -winner, and there is already talk of a possible third with her latest performance. i'm embarrassing her now. swank plays legendary pilot amelia earhart in the new movie " amelia ." take a look.

    >> after this round-the-world flight, miss earhart, are you going to give up long-distance flying?

    >> not while there's always life left in me. always ready for a new adventure.

    >> frank, give us a big smile for the camera !

    >> write to me.

    >> always.

    >> hilary swank , good morning.

    >> good morning.

    >> obviously, richard gere with you.

    >> yes, the lovely richard gere .

    >> the lovely richard gere . let me tell you what the " los angeles times " said about " amelia ." called it a beautifully crafted, a very traditional epic, the kind of adult biographical story movie studios generally don't seem to be making anymore. how would you describe the movie?

    >> you know, i think more than ever, people have really come up to me and said i can't wait to see this movie , more than any other movie i've been a part of, and i think that just makes you realize that amelia is someone that epitomizes i think what we're all striving for, which is, you know, to live your life the way you want and to not make any apologies for who you are and to live your dream. and to me, that's really what the movie's about. it's also a great love story , and it's epic. it's sweeping.

    >> but that puts a lot of pressure on an actress, too. on the one hand, it's an irresistible role because she is so iconic. on the other hand, because she is an icon, getting it right.

    >> you're right. i think there's a lot of responsibility that comes with playing someone who has lived in the past, especially someone as iconic as amelia . you know, there are all these images we have of her and ideas we have of her. so it's not like you can take a lot of fictional, you know, figure out what you want to do with her. you have to really play true to who she was.

    >> was she somebody that as a kid you admired? had you paid much attention to her growing up? the story of her.

    >> i did. i knew the story of her. and it's interesting. obviously, she was american, but she's known worldwide for all of her achievements. i knew of her, but i didn't know, obviously, all that i realized about her in playing her, diving into it.

    >> more of the human side of her, right? you know her as the aviator, but not the woman as much.

    >> that's right. that's right.

    >> you cut your hair for the role.

    >> i did, i did.

    >> and went very blond.

    >> i did. the short blond, yes, which is fun.

    >> you also learned to fly, something you did not know how to do. did you take to it? do you like it?

    >> i love it, actually. one of the great things about my job is i get to learn all these things had i not done because i'm an actor. so i got to fly and i love. it i'm a daredevil at heart. so that's something amelia and i have in common.

    >> you're not only the star of the movie, you're also the executive producer. so you're not only responsible for owning the part, but also, you've got to pay attention to the bottom line now, whether this thing brings in the money because the bean counters are looking.

    >> absolutely.

    >> does that put a particular pressure on you on how you approach a movie?

    >> you know, it's a good question. i've come on board as executive producer probably my last five movies, and that's really just to make sure that it gets to the screen and you know, trying to help get all the elements together to get it to the screen. because i think a movie's really only as good as its weakest link , so i just try to help put all the components together.

    >> and now they are talking about another oscar for you, a third oscar . you're hearing them, but why are you shaking your head?

    >> it's just crazy. first of all, to think -- to hear that word. it's incredible that i have two. it's an honor, and it's something -- it's not what you work for, but just to hear that is -- it's, you know -- i just, i love being a part of it.

    >> and you have it for "boys don't cry" and for --

    >> " million dollar baby ."

    >> and both times you were up against annette bening and now they're saying she may get an oscar nod again and it would be you two again. is it weird?

    >> i wouldn't say weird, but it's funny timing, isn't it? it's funny timing. i love annette. i can't wait to see her film. so you know, it would be an honor to be nominated with annette if that were the case. oh, there's a picture of us --

    >> hugging.

    >> hugging. how sweet.

    >> wait, is that a night gown she has on? no, i'm kidding.

    >> she's a doll.

    >> she loves you.

    >> i really admire her and she's been doing it so long. she really kind of took me under her wing and is very, very gracious.

    >> and the truth is, there's room for a lot of wonderful actresses out there.

    >> that's true.

    >> there's a great article about you in " marie claire " magazine, but i want to ask you about one part that's gotten some eyebrows raised.

    >> yes.

    >> you're asked about your boyfriend john, and at one point, you say, you know, my boyfriend's son is 6 years old and you wonder at what age you should stop walking around nude. every morning he comes into the bedroom and you're just nude, but he doesn't look twice. he doesn't think about it yet. now, some people, they've criticized that behavior.

    >> mm-hmm.

    >> set the record straight .

    >> the interesting thing is we actually -- the editor in chief and i were having a longer conversation about it. she said what do you sleep in? i said i sleep in the nude, what do you sleep in? and she said i sleep in a night gown now because i have two young boys . and at one point, one of my kids said ew, so i started wearing a night gown . so we had a conversation about what age you do that. i think it's great that you can talk about things that bring up debates. i think every family is different and you have to know what's right for you and your family.

    >> before i let you go, you're involved in home for the holidays pet adoption . what's that about?

    >> yes, home for the holidays . 6 million animals are put to sleep every year and you think, what can i do to help? so i came aboard for iams home for the holidays to raise awareness about this and all the animals that need to be adopted. and everyone usually around the holidays are wanting an animal. and if they are, i'm suggesting they go to the pound and adopt one of those animals that need a loving home that may not find a life without them. i adopted my dog roomi last year and helped, you know -- they're trying this year to adopt 1.5 million. last year was a million and they made that. so let's make this happen.

    >> absolutely. hilary, it's such a pleasure. nice to see you again.

    >> nice to see you, meredith.

    >> again, " amelia " opens nationwide on october 23rd .

    >>> up next, one man's real

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